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Adventure Travel

Jun 14, 2018

Jorge Cervera Hauser: Far From Shore

Underwater photographer, award winning film producer and ecotourism activist, Jorge Cervera Hauser, has a resume as vast as the ocean (pun very much intended), that has connected his intense love for the deep sea and the creatures that inhabit it—particularly the toothy ones we think we’re most scared of.


Alyssa Fowler

“It’s funny how things happen and how only after you see they’re all connected. If I hadn’t lost my toe, I would have never made films and had this business that I love. And it all took me back to the ocean, which is the thing I care about the most.”

He is a Discovery Channel ambassador (although more recently and excitingly for us, recently signed on as a brand ambassador for The Outdoor Journal), has spoken at TEDx, and his breathtaking and explorative underwater photography has led to producing the award-winning documentary México Pelágico, a film that beautifully captures and advocates for the critical balance between local shark fishermen and the ocean ecosystem.

Recently acquiring the legendary SolmarV and running unique and sustainable open water expeditions with Pelagic Fleet, Jorge is bringing more awareness and appreciation of the sea to everyone his work touches.

But at only 22 years old, after a debilitating accident, none of this was on the table for Jorge—least of all, winning the top prize in a Discovery Channel competition.

Animal Planet’s Unearthed

“I was working as a film producer on a channel comparable to MTV, and I was like ‘fuck this’ I’m going to be a safari guide. I had all the paperwork and was getting everything set up to go to Namibia to become a park ranger, and then I had a dirt bike accident. So I lost my big toe, was in the hospital for a month and couldn’t walk for 5 months.

“During that time I had a good friend that came to the hospital, and to my home when I was there, and talk to me about an Animal Planet show where they were looking for the next hot wildlife photographer. He was like ‘That’s you! You should be there!’. And after those months of him coming and telling me about all the episodes, I was just starting to walk again and feeling pretty anxious and ready to go back to work—just laying in bed all the time was horrible. At 7am one morning, that friend called me and said ‘okay, you have to go to this link and submit your application because they’re going to do a second season and you’re going to be in it.’ It was a ton of forms and a lot of trouble… and I was sure I would never be picked. At that point, I really just wanted to get back on track with my life.
“Finally, I had a day with nothing to do and I went back into it, filled stuff out, made a demo-reel, etc., did this stupid casting video. As it turns out, they picked 4 of us out of 35,000 people to spend time in South Africa training and compete in film and photography challenges.

Unearthed Intro from Jorge C. Hauser on Vimeo.

“I didn’t really start off well with the producers because I was a 22-year-old arrogant kid who thought I was there to film my documentary and didn’t realise I was there to be a part of a reality TV show. So, anytime they would ask me to pretend or pose for some shots pointing at something, I would hate it.

“I wouldn’t smile for the photographs and the viewers didn’t like that.”

“And they knew that I loved the ocean and scuba diving and sharks, and I think they did it on purpose that I missed the great white shark part. It seemed like they were always trying to create tension and pin us against each other, even though we were actually pretty good friends. It was funny, but it was definitely one of the best experiences of my life. In the end, I got to spend 2 months in the African bush with all of this infrastructure. At the time it was the most expensive Animal Planet production. So it was a super fun and interesting project. Once I realised it was about the show and not about me, I had a really good time.”

And then he won the entire show!

After going out on his own for 3 weeks, filming, editing and all the voiceover on a documentary, Jorge’s film was selected and screened on Animal Planet stations around the world for the following 6 months. An amazing opportunity at the time and one that spiraled into the multiple careers he’s keeping up now.

Pelagic Life

After years of exceptional underwater film and photography, even leading to starting a production company called Calypso, Jorge joined a non-profit organisation with the intention of protecting wildlife and inspiring ecotourism.

Sea lions by Jorge Cervera Hauser

“Pelagic Life started as a group of friends exploring the open ocean. It’s very easy to go to a reef and scuba dive, but to go out into the big blue dessert and try to really find something, that’s a completely different story. And that’s how we started, to film and photograph sardine baitball with marlin hunting.

“It all came from a deep passion for the ocean. We all have different backgrounds. There’s the lawyer, the consultant and the guy that sells tires, but what we all have in common is this big love for the ocean. We have all been in touch with the ocean since we were kids—mostly through fishing, ironically, through our families. Yet, through that sport-fishing background we started scuba diving and began enjoying the ocean from a different angle.
So, we were exploring the open ocean and seeing this amazing phenomenon, these creatures, and we knew it was our duty to share it. We strongly believe that we cannot care about something we don’t know. And most people don’t know what’s out there. For us, Mexico is such an amazing place for pelagic life and people don’t really know that. You ask people about great white sharks and they’ll talk about South Africa or Australia and they have no idea that the best place in the world to see great white sharks is in Mexico. We knew we had to document and share this. That’s at our core: exploration, then documentation so we can share it. “

This eventually lead to exploring sustainable tourism as an alternative for the local communities and fishermen, reshaping them for tourism so that they would be the sincerely interested in taking care of the resources.

“We started working on offering shark tours as an economical alternative to shark fisherman so that they could make more money taking people on tours to see the sharks than killing them.”

Tiger & bull sharks by Jorge Cervera Hauser

México Pelágico

“With the documentary, we pretty much did it backwards. We had 3-4 years worth of footage, and then we realised there was actually a story to tell here. So with 80% of the footage, we built a structure to the film, came up with a sort of script, and then figured out the pieces that were missing to really start to make the film.”

Mexico Pelagico | Trailer (1) English from Pelagic Life on Vimeo.

“When you do something with this level of passion, with the production company and all of the suppliers and all of the contacts, I started stretching the budget, asking favours and everyone did the same on their end and we ended up doing this independent documentary
Unlike France or the UK, Mexico doesn’t have a huge audience for documentaries. I knew we had a good relationship with Discovery Channel and it would very likely that the documentary would end up there, but then one of the largest movie theatre chains in Mexico were interested in the movie, it ended up showing nation wide. It was a huge shock. You really just don’t normally see documentaries in theatres in Mexico. Then a lot of people started inviting us to a lot of places to screen the film.”

It played at Harvard, Columbia, UCLA, Berkley, even the Pixar Headquarters invited them to screen the film and talk about it. More people watched it than Jorge had ever expected, which opened new doors and changed a lot for the work they were doing with Pelagic Life.

“Before the film, there were a lot NGO’s and people in the diving communities that knew what we were up to, it was a very close circle of friends and friends of friends. After the film, it became so diverse. At each screening there are a lot of people there specifically to watch the film. A lot of people that have never been in touch with the ocean. They’re super interested and want to be involved and help. And the was the whole point of the film, to make people engage with the ocean.

People don’t realise how easy it is to get out there and jump in the water and experience this for themselves. And once you see and experience it, you’re going to want to do something to protect it.

It’s the best way to make a difference. You can post all you want online about any subject and you can try and change legislation, but if you don’t try to actually change the lives of the people who are making their living out of this industry, everything else is pretty much pointless.

“It’s also very easy to see the fishermen as the bad guys, from sitting in front of a computer, but these are people that have been doing this for generations and it’s all they know how to do. They’re not doing it for the kicks of it—it’s a way of putting food on the table and it’s not an easy world they’re living in. If we don’t try to understand where they come from and try to help them, then we’re just jerks with an opinion. That’s why we think this approach is the way to go.”

Jorge, proving he’s not just a “jerk with an opinion” about what sharks are.”

Pelagic Fleet, Solmar V and Ocean Safaris

With his production company and documentary doing well, on top of all his work with Pelagic Life, Jorge realised he had two full-time jobs, “the one that paid the bills—I hated it—and the one that was taking more of my time and money—the one I loved—the ocean. That’s when I knew I had to find a way to make a living out of it. Then the opportunity came up to buy this boat, this live aboard diving boat called the Solmar V. I bought it with my partners in October of last year.”

Jorge says it wasn’t easy and the deal almost fell apart a few times over the two-year period. “The owner of the business, it was his baby. He spent 23 years of his life building it. He is a pioneer and the first one to explore these islands [Socorro Islands] as a diving destination—the first one to explore some of these great white shark hot spots. He wanted someone to carry on with his love for the boat and business and didn’t care as much about the money. I learned a lot during that time and still am. Every day I realise it was the right choice.”

Want to explore a part of the world and its wildlife you couldn’t normally get to? *link*

What’s Next?

It seems pretty clear that Jorge isn’t very good at staying still. Only having bought Solmar V this past October, they’ve already acquired another smaller boat for their Ocean Safaris and are still on the hunt for more.

Needless to say, that’s not all.

Years ago, Pelagic Life spent some time in Chinchorro with luring American saltwater crocodiles out of the murky waters to photograph them as never done before. GoPro took notice and liked what they saw so much that they invited them back there last year to team up with them, only releasing the footage this month.

Crocs Chinchorro (GoPro Production) | Pelagic Life from Pelagic Life on Vimeo.

As the area was an old fisherman’s town, this was the ideal success story of what Jorge and Pelagic Life have been trying to do with the fishermen in Baja: discover new places with wildlife and make them into tourist destinations to interact and protect the wildlife (as opposed to making money off killing these beautifully misunderstood creatures). Jorge says, “Now this guy charges a lot of money to take photographers out there and is booked for the next 2 years. It happened so fast. I hope that over time it will be like that for the fishermen in Baja, that they could have such successful businesses so easily and quickly. ”

However, his favourite projects right now? He a personal project where he’s heading to the Amazon in September to photograph anacondas on the water. “We’re a small group of 4 people that really don’t know what to expect because only a couple people have done this before.”

Pelagic Life is also working with a bank to come out with a coffee table book to give away to their VIP members. “I always love it when we’re able to go back to our roots of exploration, a little bit of conservation work just by showing people what’s out there. And I love that.”

If you would like to purchase México Pelágico then you can do so here.

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Oct 17, 2019

A Trek to Prevent Iceland’s Apocalypse

In the remote Icelandic highlands, two filmmakers face a dilemma when they realize their 14-day trek across the land they are trying to protect will take twice as long as they planned.



Davey Braun

A giant army of 200-foot tall steel lattice towers is marching across Iceland.

Like “the nothing” from The Neverending Story, Iceland’s hydroelectric industry is sweeping the nation, indiscriminately destroying any and all pristine nature in its path.

Ryan Richardson and his wife Hailey, two filmmakers from Western Canada, committed to trek across Iceland in an attempt to force the government to protect the highlands region, an area of over 40,000 square kilometers, by granting it national park status. (Listen to the podcast episode here).

Ascending out of the lowlands and into the northern highlands.

“Some of the places we were walking through this year will not look the same next year. They’ll be completely scarred with hydro development and it’ll be like the difference between walking through a beautiful desert glacial oasis and then walking through a World War Z post-apocalyptic scene of nothingness.”

Their intended route, from the northern tip of the island to the south, would cover 230 km, and deviate wildly from the areas where most tourists visit on holiday. However, they faced a serious survival dilemma on day one, when Ryan noticed that after 42 km of hiking, they were still only halfway to their first waypoint. Because the remote highlands are so untouched and even unmapped, the satellite data they based their route on was 40% wrong. When Ryan and Hailey realized that they would now have to traverse over 400 km to achieve their goal, they decided between cutting their food rations in half and doubling their daily mileage – quitting was never an option.

“No other experience could have helped us prepare for this in any way, shape or form. You’re suffering to a degree you’ve never suffered before.”

Ryan and Hailey operate their own small-footprint film production company, Life Outside Studio, in which they actively participate in film projects around the world from swimming with wild orcas in Norway to ultra-running across the Namibian desert. However, nothing could prepare them for the sheer scale and suffering of their 14-day trek across Iceland. While the South Highlands is an international hiking destination, Ryan and Hailey trekked through utter isolation up north for the first nine days of the journey, battling relentless rains and sub-zero temperatures at altitude. One slip up while fording a sub-zero glacial river, and hypothermia becomes a real threat.

Navigating the highlands through fields of snow.

“You’re becoming part of the landscape that you’re moving through. You could smell rivers and streams before you could hear them or see them because your senses were just so heightened.”

Ryan and Hailey earn their stories, and with their grueling trek across Iceland, they’ve earned our attention in helping to protect the beautiful highlands, the largest remaining uninhabited area in Europe. They filmed their experience and plan to release the final product at outdoors festivals this fall. You can watch a sneak peek of their journey in the trailer below.

After completing their goal, blisters and all, Ryan and Hailey returned to Canada with a new sense of awe for the untapped potential of mental strength and grit that lies dormant, not just in themselves, but in all humans.

“Everything that those guys like Rich Roll and David Goggins say about putting your mind to something is true. Although your body feels finished, there’s so much more gas left in the tank.”

The Outdoor Journal connected with Ryan just days after completing the trek to discuss why saving Iceland’s Central Highlands is worth 14 days of suffering, how to craft a film out in the remote wilderness and utter isolation, and the lessons he learned about his own untapped potential and the human spirit. (Listen to the full podcast episode here).


TOJ: Can you describe exactly where you were when this initial idea came about to do an expedition across Iceland?

Richardson: We had just finished a project in Norway in November 2018 and we were on our way home, flying from Reykjavik, Iceland to Toronto, Canada. We were flying with Wow Air and they had this educational pamphlet about the Highland National Park. It was the first time I’d heard anything about it. I was really interested because I’d been to the highlands area quite a few times and I knew, for the most part, that in 40,000 square kilometers of it, probably about 2% of it was protected.

Hailey and Ryan trekking through Sprengisandur plateau with Hofsjokull glacier in the background.

It’s pretty evident when you get there. There are lots of people ripping around on these massive jeeps and cruising overland and there’s little regard for plant life or flora.

So I thought it was pretty interesting in reading about this project that they wanted to implement a national park to protect this entire area. I tucked the pamphlet in my pocket and when I got home, before I even looked at my Norway project footage, I contacted the guys that were organizing the initiative and said I’d love to get involved with this.

“You know that out of 7.5 billion people on the planet, you’re the only two people having this experience in nature all to yourself.”

Hailey and I, because we’ve been on a couple of adventures to Iceland, thought we should do something crazy to get attention or some kind of traction. So we decided to cross the country on foot. We’ve never done anything like that. And what better way to captivate and share the experience of Iceland in the highlands than by walking through it? Instead of being a passenger through a window, we’d experience every bit of the landscape. Especially when some of the places we were walking through this year, next year will not look like how they looked this year. They’ll be completely scarred with hydro development and it’ll be like the difference between walking through a beautiful desert glacial oasis and then walking through a World War Z post-apocalyptic scene of nothingness.

Nyidalur hut is the most remote mountain hut in the country.

One of the most impactful visuals from our trip was on this gravel to paved road at 65 degrees North, almost in the arctic. It feels so ominous because there’s a dam to the left with like 400 lines connecting to 200 feet tall pylons dotting the skyline. And there’s no one around for a hundred kilometers, but there are these perfectly paved city streets everywhere that they use for maintenance access on these pylons. What a shame!

TOJ: You’ve done a lot of traveling on other assignments to places like New Zealand and Africa where you had to push your comfort zone, but how big of a leap was it committing to over 400 kilometers of hiking?

Richardson: It was the biggest leap ever. No other experience could have helped us prepare for this in any way, shape or form. It was so outside of our comfort zone that it was unlike anything to compare it to you because we were pushing our own physicality a hundredfold beyond what we thought we were capable of, but we were trying to film at the same time. We’ve never walked 50 kilometers in a day with backpacks on before. You’re suffering to a degree you’ve never suffered before, but you’re also trying to tap into your creative brain and still get these really scenic shots of you walking along a waterfall or fording a river and crossing to the other side.

TOJ: Did you guys do any training to break in your gear and test what your limits might be?

“It was kind of like stretching before the fight of your life.”

Richardson: What we did, which was probably the most critical element, was a dry run on the east coast trail of Newfoundland. We spent seven days on the trail and, more than anything, it prepared us for what our food situation was going to be like so that we could plan accordingly and also figure out the flow of how hiking and media would work in tandem. It was kind of like stretching before the fight of your life. It doesn’t prepare you in any way. it just helps get the blood flowing.

Standing on a glacier, Ryan takes a moment to assess their surroundings in a brief moment of clear skies.


TOJ: How much experience did you have trekking and hiking in Iceland and how much scouting did you get a chance to do?

Richardson: The biggest problem for us was the fact that there are no maps of any of these areas. And there’s basically no data we could find on the kind of route that we wanted to go through. We were completely in the dark. So we based our route off of Google Earth, which told us it was going to be 230 kilometers from north to south.

“I couldn’t conceivably think of anything more difficult or challenging to physically go through.”

But, on the first day, we had hiked 42 kilometers and I looked on our GPS, but we were only halfway to our first waypoint. I knew there was something wrong. The satellite tracking, compared to our expected route, was off by about 40%. So, instead of doing 230 kilometers that we had prepared for, we did 420 kilometers in total. It made everything infinitely more difficult.

TOJ: So on that first day when the realization sinks in that you’re going to have to do so much more, what kind of conversation is happening between you guys? Are you recalibrating your expectations or maybe even thinking about stopping just as you had gotten started?

Richardson: It was the first day when we had that realization that we were potentially in for about twice the amount of mileage that we thought we were going to have to do. But we were in it. We’ve taken flights, we have the food on our backs, we have a decision to make. Do we ration food and instead of doing this for 14 days, we do it for 28 days, or do we consolidate all the days and put two days into one every day. We had a conversation and we decided that we would rather be on our feet twice as long and not be hungry, than have to be hungry for a month and ration food. Those were our options. We never thought about quitting.

TOJ: I’ve interviewed several explorers who journeyed across Antarctica this year and it seems like for the first nine days or so, you were experiencing a similar sense of isolation before you got to the more popular trails in the latter half of the trip. Did you feel scared or did you feel exhilarated by the fact that it was just the two of you out there alone?

Richardson: It was totally exhilarating. On the first day, we walked through basically farmland getting up to the highlands so it didn’t feel very remote. And then the next day we started gaining elevation pretty quickly, but it still felt like hiking through Colorado. But then on the third day, you pass this remote mountain hut and there’s basically nothing for the next week and you know that you’re totally in it. If you were a painter, you couldn’t have painted more beautiful scenes with the midnight sun setting between two glaciers and then rising all at once as it just touches the horizon. And, you know that out of 7.5 billion people on the planet, you’re the only two people having this experience in nature all to yourself.

Read next on TOJ: Running For My Son’s Life – Featuring a short film by Ryan Richardson


Ryan trekking through the colourful mountains of Landmannalaugar.

TOJ: You titled your latest blog post “Breaking the Silence.” I’m wondering why do you think that there’s so little coverage about the fate of Iceland’s Central Highlands?

Richardson: The fact that there is so little coverage is exactly the scary thing because the hydro companies are taking advantage of that and trying to mobilize and develop right now because no one’s talking about it. When the Highlands National Park Initiative has had more support with the government more on board, these hydro companies stay quiet and they just pray and wait on their opportune moment. In speaking with some of the local wardens in neighboring national parks, there’s this undertone that they’re going to take advantage of the next year or two while nobody’s talking about it.

What is a National Park from Einar Bergmundur on Vimeo.


TOJ: What sort of calls to action are you encouraging our readers to take? Should they sign a petition or should they donate or should they travel to Iceland themselves?

“The whole point of this was so that we could share this experience with as many people as possible, otherwise it was just a miserable vacation.”

Richardson: The most important thing at this stage is for people to share, talk about it and educate. There’s a lot of people going to Iceland and about 90% of those people, for the most part, are staying in downtown Reykjavik, which is crazy. And then the next 9% will go an extra hour and a half down to the south coast, seeing a bunch of stops along the way. And then 1% will drive around the rest of the country. There’s a very small amount of those people that are traveling from North America and Europe who are actually getting into the highlands and exploring. The more people that see how accessible it is and how beautiful it is and that there are so few places left in the world where you can do that, it’s worth stretching your comfort zone for.

Taking advantage of “midnight sun”, Hailey captures a few photos of our late night trek.


TOJ: During one of your lowest moments when you were suffering from so many blisters and even thinking about quitting, you said that some advice from your mom really helped, which was to never quit at night, to get some rest and reassess in the morning. Is your mom an accomplished adventure as well or is that just “Canadian wisdom?”

Richardson: (Laughs) Don’t forget, most Canadians live in Toronto, it’s just like New York City. My mom is a pretty wild adventurer. I definitely admire her and look up to her. She does objectives that I don’t think that I could ever do. But I think that obviously, this project changes that thinking a little bit because it totally opened my mind to think what people are capable of. If you stick to that mantra at night when you are feeling your lowest, then you wake up when the Sun is out with a different mindset.

TOJ: I heard that you commented to Hailey on the journey, “We earn our stories now.” And I thought that was just the coolest ethos or tagline for Life Outside Studio – we earn our stories.

“You’re really becoming part of the landscape that you’re moving through.”

Richardson: I remember that exact moment. The storms were coming in all around us on day three when we were heading into the highlands. I knew that we weren’t going to have to exaggerate how hard our journey was when we got home. No, it was actually the hardest thing every single day, for 14 days straight. I couldn’t conceivably think of anything more difficult or challenging to physically go through.

TOJ: Aside from your camera, was there one piece of kit or gear that really turned out to be the most essential piece or something that you couldn’t do without?

Richardson: The Garmin inReach. I don’t think that you could do a project without a satellite device like that. Being able to receive messages from home, having your brother or your sister say, “Hey, so proud of you,” when you’re out there and you’re emotionally distraught was a huge help. It’d be tough to go and do a project without being able to communicate with loved ones at all. Aside from that, from a safety standpoint, if we didn’t have proper waterproof layers, we probably wouldn’t be having this conversation right now.

TOJ: What was it like in those remote areas where you got to fill up your water bottle with the fresh Icelandic glacial water and drink it?

Richardson: Globally speaking, there are very few places where you don’t have to wonder where your water is coming from. It’s just the tastiest thing. And it was all part of the experience of being connected and experiencing and indulging with nature and not just being like a passenger, but really becoming part of the landscape that you’re moving through. You could smell rivers and streams before you could hear them or see them because your senses were just so heightened. You’re getting so in tune with moving through these landscapes. You were so hypersensitive and aware of the nature that you were in.

After days in the desert, we find an oasis lake.


TOJ: You just returned from your 14-day, 420-kilometer trek across the entire island of Iceland, which ended up being twice the mileage that you had planned for, and you suffered some near expedition-ending blisters, how is your recovery going?

“I just wanted to have complete creative control.”

Richardson: I’m back in Western Canada. We’re just working on a project in the interior of British Columbia. We flew here almost in a tuck and roll from Iceland. So just finished our 420-kilometer walk, and then within five days, we were back out here shooting a trail running project. It’s a heli-access trail running, ridge running program. So we’re back on our feet and running with camera equipment already. Literally, the second day into this program, I lost like my third toenail since the Iceland project started. I’m like, “Oh man, I need a vacation.”

TOJ: As someone who enjoys shooting and editing myself. I’m curious to know, how did you go from being passionate about photography as a hobby to actually creating your own media house with Life Outside Studio?

Richardson: For me, it was the only option I had (laughs). I didn’t want to just join a different production company and then follow someone else’s vision. I really wanted to pursue stories that I was passionate about and creating Life Outside Studio was the only way that I saw that as actually ever being feasible. I just wanted to have complete creative control. It sounds narcissistic to put it into words like that, but what it comes down to is being able to say yes and no to the stuff that you really care about.

TOJ: Were you looking to start a career that you could do alongside with your wife, Hailey?

Richardson: It was opportunity meeting timing. We just realized that we enjoyed working on projects together. Hailey is strong in areas that I lack or have a weakness. We complement each other really well on projects and I don’t think we could have predicted that or forecasted that in any way.

TOJ: Once you got home with all this footage from 14 days of trekking, what was your process for organizing it all and reviewing it and crafting it into a story?

“Had we known it was going to be over 400 kilometers, we wouldn’t have even done it.”

Richardson: I try to look at everything as objectively as possible from an editor’s point of view, completely removing myself from the capturing of it. Hailey’s really good at looking through the eyes of the viewer who knows nothing about the subject. We’re hoping to stay as true as possible to the entire experience, and keep it as raw as possible too because I think that’s the whole beauty of the project. It’s not like we are walking around with a bunch of gimbals and sliders to setup clean scenics. It was really quite raw. The whole point of this was so that we could share this experience with as many people as possible, otherwise, it was just a miserable vacation.

TOJ: Was one of your goals to make this a plant-based expedition?

Richardson: We went plant-based to vote with our dollar. There are more sustainable ways for eating and it’s so accessible now. We’re convicted because we spend so much time in the outdoors. We felt like that’s a pretty easy way to give back and do our part.

TOJ: Now that you guys realize that you’re capable of trekking 14 days and over 400 kilometers, do you have any ideas in the future of doing something similar, like another multi-week expedition?

Richardson: I wasn’t really impressed necessarily by us, but this experience opened my eyes to what all humans are capable of. Everything that those guys like Rich Roll and David Goggins say about putting your mind to something is true – although your body feels finished, there’s so much more gas left in the tank.

To see more of Ryan and Hailey’s work for Life Outside Studio, check out:

Instagram: @ryanmichaelrichardson
Facebook: @lifeoutsidestudio
YouTube: Life Outside

Subscribe for more episodes of The Outdoor Journal Podcast.

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