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A true conservationist is a man who knows that the world is not given by his fathers, but borrowed from his children.

- John James Audubon

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Adventure Travel

Jul 04, 2017

Kvíar: Skiing the Forgotten Fjords of Iceland’s Northwest Peninsula

An island nation in the North Atlantic, Iceland is in the midst of a transition from its fishing and agrarian roots.

WRITTEN BY

Mary McIntyre

Its rocky, sparsely vegetated landscapes are scattered with wind-battered homesteads once inhabited by hardy sheep farmers whose Viking ancestors settled the land 1,000 years ago. In the country’s isolated northwestern reaches, a group of skiers travel to a restored farmhouse in the Hornstrandir Nature Reserve to explore places left behind by communities that were intimately connected with their natural environment.

We depart the bustling port of Ísafjörður on a small motorboat; eight skiers bound for an old farmstead in Hornstrandir, the remote, uninhabited northern tip of Iceland’s West Fjords.  The brightly colored houses of town fade into the distance, and after a choppy, hour-long channel crossing, we slip into the protected waters of the fjords. Kvíar, a three-story cement farmhouse, is the only structure for miles around, and its red roof stands out like a beacon against a backdrop of rock and snow. We unload boxes of food and ski gear onto a beach of polished boulders and the boat pulls away, leaving us alone in silence.

A three-story cement farmhouse is the only structure for miles around, and its red roof stands out like a beacon against a backdrop of rock and snow.

Wild rhubarb sprouts, the first signs of plant life after a long, harsh winter, line the stone path to the awkwardly tall, crumbling house. Perched atop a hill in the stark, tundra-like landscape with nothing to break the wind or weather, the big dark eyes of its windows look out to sea. A green door opens into a dim, narrow hallway. I step inside and immediately feel the energy of residents from a past era. The cracked walls, the creak of worn floorboards, and the polished wooden railing leading upstairs breathe history.

Runar Karlsson, our guide and the owner of local adventure company Borea, shows us into a cozy wallpapered living room. “Written records indicate that this area has been inhabited since the 14th century. But this house was built by two families much more recently, in the 1900s. Twenty-seven people lived here at one point, one family downstairs and one family upstairs. When I started working on the house, a lot of their stuff was still here: those wooden skis in the corner, farming equipment. They abandoned the farm in 1948,” he explains.

In 1921, Jón Jakobsson and his family built what is still the largest house in Hornstrandir, bringing cement and building supplies by rowboat across the channel from the town of Bolungarvík. They crossed the mountains to the north coast to collect wood that had drifted over from Siberia to use for house beams and boat construction. The farm and boat-building business prospered, but after just over 25 years in the new house, they left their remote hilltop home in favor of life in town.

Less than one degree south of the Arctic Circle, Hornstrandir juts out from Iceland into the Strait of Denmark. North Atlantic winds sweep across the high peninsula while the fjords, fingers of ocean reaching inland, remain sheltered. Along the walls of the fjords, tiers of jet-black basalt cliffs cut by deep snow-filled couloirs alternate with smooth, open bowls that descend in one sustained drop from the broad upper plateau to turquoise lagoons far below. Down at the rocky shoreline, the occasional call of a black and white Guillemot, gliding above the water, beckons us to explore this stark landscape with our skis.

The aging farmhouse is getting a second chance at life thanks to a new roof, fresh paint, and an influx of active, enthusiastic inhabitants.

While the rest of the world hurdles into the future, Hornstrandir is retreating into the past. Instead of following the global trend of increasing habitation and land use, this region that was once widely populated is now nearly abandoned. In the early 1900s, almost 500 people lived in small communities scattered across the peninsula. Lacking access roads, inhabitants traveled the long distances between settlements by boat, horse, or foot

 Surviving in these remote farmsteads and towns demanded an intimate understanding of the land and sea. For hundreds of years, families lived off the natural bounty.

They gathered berries, edible plants, and mussels; fished; hunted birds and seals; and collected bird eggs from massive sea cliffs where six million seabirds still nest annually. Agricultural opportunities were limited, but inhabitants raised sheep and horses and took advantage of the short summer growing season to bolster their food supplies with crops of potatoes, turnips, and carrots. Life was tough and isolated, even by Icelandic standards.

Families began to leave Hornstrandir during World War II as job opportunities multiplied in larger coastal settlements. Fishing boats became motorized and grew in size, requiring bigger harbors and more laborers. This motivated the people from remote settlements to relocate in search of a better life. The last farmstead in Hornstrandir was abandoned in 1954. Twenty-one year later, the local landowners came together to establish the Hornstrandir Nature Reserve, protecting the isolated, windswept region against grazing and motorized travel while returning the land to its wild state.

Kvíar sat unkempt and unused for 64 years until Runar approached the Jakobsson family with the idea of turning the house into lodging for hikers and skiers. The structure stood strong despite years of neglect, a testament to the skills and craftsmanship that went into its construction. After a substantial remodel, the house has indoor plumbing, radiators, solar electricity, and a new roof. Having endured decades of isolation, Kvíar is getting a second chance at life.

I help prepare dinner in the basement kitchen, chopping potatoes, carrots, and onions for lamb stew while imagining that Kvíar’s first residents might have once done the same.

Spice racks and pots and pans hang on the exposed cement walls and an antique stove in the corner provides heat and constant hot water for tea, as well as a drying area for jackets, ski skins, and boots. Golden evening light filters through a small window facing the ocean. Keree Smith and Camilla Edwards, my co-chefs and friends, are very much at home in the kitchen, having both worked for a season at Kvíar as guides and cooks.

Teddy Laycock checks on dinner in Kvíar’s basement kitchen.

While we’re using the house for a similar purpose as Kvíar’s previous inhabitants—shelter from the elements—we’re here to use the landscape in an entirely different way. We’re here to ski. It’s spring, so we’re not in search of powder. Instead, we seek “corn,” a snow surface created by multiple melt-freeze cycles, transforming snow crystals into small, uniform, kernels. Perfect corn is hero snow: fast, consistent, and fun to ski. But it’s also fleeting: too little sun and it remains solid ice, too much sun and it becomes soupy mush.

After our group discusses tomorrow’s ski options over dinner, I drift upstairs to bed, listening to waves rushing against the rocks and wondering about the people who slept in this room decades ago.

Were they lonely here? Or just alone? Even now, the isolation, especially during the long winter months, could be both intensely crushing and immensely enjoyable.

I fantasise about spending a month here in the thick darkness of an arctic winter, battered by snowstorms, embracing the solitude and filling the long winter nights writing and reading by a crackling fire.

Keree Smith finds her perfect line high above the North Atlantic.

The following morning, we stack our skis on a motorised Zodiac raft and set off deeper into the fjords. Passing towering dark cliffs bright with green moss, the boat skims smoothly across the calm morning water. Lounging on rocks, seals look up and plop into the water at our approach. Runar drops anchor in a small bay and after getting out of the boat, we begin a long traversing climb towards a pass, our skis scraping loudly against the still-firm snow. As we gain the saddle, two farmsteads become visible far below, tucked away in a bay protected from the open ocean that stretches north towards Greenland. We scramble up the narrow, rock-lined ridge to a prominent outlook where Runar grins as if he’s about to share a secret with us. “The Italian Face,” he announces, pointing down a steep, sweeping bowl basking in the afternoon sunlight. After we transition to ski mode by taking off our skins and locking down our heels, we drop into the bowl one at a time, carving long, swift turns in the corn as the slope funnels down towards the bay.

Guide Runar Karlsson leads the way to the top.

Back at Kvíar, we prepare local Arctic char for dinner, throwing food scraps in the front yard for wild Arctic foxes. Runar strums old Icelandic ballads on his guitar, the lyrics meaningless to us but the tune making us tap our feet and nod our heads. He plays song after song and it’s easy to lose track of time; as the days grow longer, the sun no longer functions as a reference.  

Borea guide and owner Runar Karlsson prepares local fish for dinner.

Though it’s nearly 10pm, sunset is just beginning. After the jam session, I walk down to the beach and watch two scruffy, burnt orange Arctic foxes scour the shoreline for dinner. As I wander between tide pools and seaweed-covered boulders, I hear an unfamiliar whooshing sound. Staring into the fading light, I see three whales swimming close to shore, the mist from their blowholes illuminated by the last light of day. Whale breaths sigh across the water, and I stand still, listening to their giant exhales and watching them glide across the fjord.

The next day, we prepare to ski a mountain known as Einbuii – ‘The Hermit’.  We’ve eyed its central couloir from the raft in passing, and with sunny skies and calm winds we ascend a valley curving around the backside of the mountain to gain the top of the plateau. Keree leads us to the chute’s narrow entrance and we edge our skis over the drop, testing the consistency of the snow and examining the clean shot running straight to the azure blue lagoon 1,500 feet below.  After making a few cautious turns between the high walls, I realize that we’ve hit the snow in ideal conditions once again. The ski down to the ocean is pure bliss and I hear the others hooting in delight as they make their way down to join me.

Guide Runar Karlsson leads the way to the top.

The week is a blur of incredible skiing, though the snow is melting fast. As we come to our last day, I think about past generations who skied across this landscape to trade with neighboring communities. Large cairns mark their routes, stacks of black volcanic boulders five feet high that can still be followed when the area’s famously thick fog descends and blocks out all visibility. We don’t follow them, as we’re seeking steep runs and interesting couloirs rather than the most direct routes between farmsteads. But these relics remind me of the dynamic state of the environment and its people.

An arctic fox scours the beach for dinner.

Motoring away in a modern boat, I can’t help but think that occasional leisure habitation; skiing, hiking, and kayaking, are the best uses for such a wild, remote area. Eking out a living here would be tough, and the landowners’ decision to designate the entire region as a protected Nature Reserve means that we’ll be able to enjoy its unique, austere beauty for generations to come. We return to the shops, restaurants, and roads of Ísafjörður, but its nice to know that Kvíar is waiting for our return—peaceful, isolated, and with untold numbers of ski runs to explore.

Feeling inspired? Head to The Outdoor Voyage to book your own Icelandic experience.

This article is featured in the 13th edition of The Outdoor Journal print magazine. Story and images by Mary McIntyre.

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Adventure Travel

Jul 31, 2018

Kayaking’s Elite Return to India at the Malabar River Festival

During the week of July 18th to 22nd, the Malabar River Festival returned to Kerala, India with one of the biggest cash prizes in whitewater kayaking in the world.

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WRITTEN BY

Brooke Hess

A $20,000 purse attracted some of the world’s best kayakers to the region for an epic week battling it out on some of India’s best whitewater.

The kayaking events at Malabar River Festival were held on the Kuttiyadi River, Chalippuzha River, and the Iruvajippuzha River, in South India on the Malabar Coast. The festival was founded and organized by Manik Taneja and Jacopo Nordera of GoodWave Adventures, the first whitewater kayaking school in South India.

Photo: Akash Sharma

“Look out for these guys in the future because there are some future stars there”

One of the goals of the festival is to promote whitewater kayaking in the state of Kerala and encourage locals to get into the sport. One of the event organizers, Vaijayanthi Bhat, feels that the festival plays a large part in promoting the sport within the community.  “The kayak community is building up through the Malabar Festival. Quite a few people are picking up kayaking… It starts with people watching the event and getting curious.  GoodWave Adventures are teaching the locals.”

Photo: Akash Sharma

Vaijayanthi is not lying when she says the kayak community is starting to build up.  In addition to the pro category, this year’s Malabar Festival hosted an intermediate competition specifically designed for local kayakers. The intermediate competition saw a huge turnout of 22 competitors in the men’s category and 9 competitors in the women’s category. Even the professional kayakers who traveled across the world to compete at the festival were impressed with the talent shown by the local kayakers. Mike Dawson of New Zealand, and the winner of the men’s pro competition had nothing but good things to say about the local kayakers. “I have so much respect for the local kayakers. I was stoked to see huge improvements from these guys since I met them in 2015. It was cool to see them ripping up the rivers and also just trying to hang out and ask as many questions about how to improve their paddling. It was awesome to watch them racing and making it through the rounds. Look out for these guys in the future because there are some future stars there.”

Photo: Akash Sharma

 

“It was awesome because you had such a great field of racers so you had to push it and be on your game without making a mistake”

Vaijayanthi says the festival has future goals of being named a world championship.  In order to do this, they have to attract world class kayakers to the event.  With names like Dane Jackson, Nouria Newman, Nicole Mansfield, Mike Dawson, and Gerd Serrasolses coming out for the pro competition, it already seems like they are doing a good job of working toward that goal! The pro competition was composed of four different kayaking events- boatercross, freestyle, slalom, and a superfinal race down a technical rapid. “The Finals of the extreme racing held on the Malabar Express was the favourite event for me. It was an epic rapid to race down. 90 seconds of continuous whitewater with a decent flow. It was awesome because you had such a great field of racers so you had to push it and be on your game without making a mistake.” says Dawson.

Photo: Akash Sharma

The impressive amount of prize money wasn’t the only thing that lured these big name kayakers to Kerala for the festival. Many of the kayakers have stayed in South India after the event ended to explore the rivers in the region. With numerous unexplored jungle rivers, the possibilities for exploratory kayaking are seemingly endless. Dawson knows the exploratory nature of the region well.  “I’ve been to the Malabar River Fest in 2015. I loved it then, and that’s why I’ve been so keen to come back. Kerala is an amazing region for kayaking. In the rainy season there is so much water, and because the state has tons of mountains close to the sea it means that there’s a lot of exploring and sections that are around. It’s a unique kind of paddling, with the rivers taking you through some really jungly inaccessible terrain. Looking forward to coming back to Kerala and also exploring the other regions of India in the future.”

 

For more information on the festival, visit: http://www.malabarfest.com/

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