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The most dangerous worldview is the worldview of those who have not viewed the world.

- Alexander von Humboldt

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Athletes & Explorers

Dec 13, 2018

Steph Davis: Dreaming of Flying

What drives Steph, to free solo a mountain with nothing but her hands and feet, before base jumping? “Bravery is not caused by the absence of fear."

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The Outdoor Journal

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In the coming days the Outdoor Journal will release an exclusive interview with Steph Davis, follow us via our social networks and stay tuned for more.

Do you have to be fearless to jump off a mountain? Meeting Steph Davis, you quickly realise: no, fearlessness is not what it takes. It’s not the search for thrills that drives her. She’s Mercedes travelled to Moab, Utah to find out what does – and to talk to Steph Davis about what it takes to climb the most challenging peaks and plunge from the highest mountaintops.

Steph Davis, getting ready to jump. Photo by Jan Vincent Kleine

At noon, when the sun is at its highest point above the deserts of southeastern Utah and when every stone cliff casts a sharp shadow, you get a sense of how harsh this area can be. Despite Utah’s barrenness, Steph loves the orange-gold landscape with its towers and elegantly curved arches of sandstone. But Steph is not here because of the natural spectacle. Here, in this area which is as beautiful as it is inhospitable, she can pursue her greatest passion: free solo climbing and BASE jumping.

Castleton Tower… Look closely. Photo by Jan Vincent Kleine

Today, Steph wants to take us to Castleton Tower. We travel on gravel roads that are hardly recognizable, right into the middle of the desert. Gnarled bushes and conifers grow along what might be the side of the road. Other than that, the surrounding landscape lives up to its name: it is deserted. Steph loves the remoteness of the area. “One of my favourite places is a small octagonal cabin in the desert that I designed and built together with some of my closest friends. It’s not big and doesn’t have many amenities but it has everything you need: a bed, a bathroom, a small kitchenette … and eight windows allowing me to take in nature around me. That’s pretty much all I need.” Steph Davis cherishes the simple things. She has found her place, and she doesn’t let go.

Whilst pictured with ropes here, Steph often free solo’s without any equipment at all. Photo by Jan Vincent Kleine

Castleton Tower is home turf for Steph. She has climbed the iconic red sandstone tower so many times she’s lost count. The iconic 120-metre obelisk on top of a 300-metre cone is popular among rock climbers as well as with BASE jumpers. Its isolated position makes it a perfect plunging point and it can easily be summited with little equipment – at least for experienced climbers like Steph Davis.

“It would be reckless not to be afraid. But I don’t have to be paralysed by fear.”

Steph is a free solo climber, which means she relies on her hands and feet only – not on ropes, hooks or harnesses. She loves to free solo, using only what’s absolutely necessary. She squeezes her hands into the tiniest cracks in the stone and her feet find support on the smallest outcroppings, where others would see only a smooth surface. Steph climbs walls that might be 100 metres tall – sometimes rising up 900 metres – with nothing below her but thin air and the ground far below. She knows that any mistake while climbing can be fatal.

Flying. Photo by Jan Vincent Kleine

The possibility of falling accompanies Steph whenever she climbs. Is she afraid? “Of course – it would be reckless not to be. But I don’t have to be paralysed by fear.” She has learned to transform it into power, prudence, and strength. “It’s up to us to stay in control.”

“You have to learn to face your fears and accept them for what they are.”

That’s what, according to her, free soloing and BASE jumping are all about: to be in control and to trust in one’s abilities. “It’s not about showing off how brave I am. It’s about trusting myself to be good enough not to fall. It takes a lot of strength, both physical and mental. You have to learn to face your fears and accept them for what they are.”

Touchdown. Photo by Jan Vincent Kleine

Steph Davis likes to laugh and she does so a lot. She chooses her words with care, and she doesn’t rush. Why would she? There’s no point in rushing when you’re hanging on a vertical wall, with nothing but your hands and feet. Just like climbing, she prefers to approach things carefully and analytically. That’s how she got as far as she did. “I didn’t grow up as an athlete, and started climbing when I was 18,” she smiles, shrugging. But her work ethic is meticulous and she knows how to improve herself. Whenever she prepares for an ascent, she does so for months, practising each section over and over again – on the wall and in her head – until she has internalised it all. She does the same before a BASE jump and practices the exact moves in her head until she knows the movement is consummate.

Steph loves the orange-gold landscape with its towers and elegantly curved arches of sandstone. Photo by Jan Vincent Kleine

“Bravery is not caused by the absence of fear.”

Would Steph consider herself brave? She says that she wouldn’t know how to answer that, you can see the small wrinkles around Steph’s eyes that always appear whenever she laughs. In any case, she doesn’t consider herself to be exceptional. “I’m not a heroine just because I jump off mountaintops,” Steph says she has weaknesses just like everyone else. But she might overcome them a little better than most of us do, just as she has learned to work with fear. “Bravery is not caused by the absence of fear. It is brave to accept fear for what it is, as a companion that you should sometimes listen to, but one you shouldn’t be obedient to.”

She slows the car down. We have reached Castleton Tower. It rises majestically in front of us while the sun has left its zenith. If Steph started walking now, she’d reach the top at the moment the sun went down, bathing the surrounding area in a golden light. She takes her shoes and the little parachute; all she needs today. Then she smiles again, says “see you in a bit”, and starts walking. Not fast, not hastily, but without hesitation.

All photos by Jan Vincent Kleine

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Events

Mar 25, 2019

GritFest 2019: The long-awaited trad climbing event returns

Fueled by a common passion, an assembly of seasoned climbers revive the traditional climbing movement just outside of Delhi, India.

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The wind coming off the rock face felt inhospitable, but the air itself gave off a sense of communal joy. After 33 years in absence, the thrill at the Great Indian Trad Festival, or Gritfest, emerged again for a new generation. 

We stood together in ceremony around Mohit Oberoi, aka Mo, the architect of the Dhauj trad climbing era, whose been climbing in the area since 1983. Mo, who continues to inspire many, briefly underlined the cause behind the Gritfest: a two-day annual trad climbing gathering that finally saw the light of day on February 23rd and 24th 2019. The gathering, although one of its kind, was not the first. The first one took place in 1985 and was put together by Tejvir Khurrana.

Read next: Mohit Oberoi: My History with Dhauj, Delhi’s Real Trad Area

“Dhauj is huge and there exists such an amazing playground right on their doorstep”

For those of you who might be unfamiliar with the climbing scene in India, Dhauj is where some of the country’s finest climbing began. Located in Faridabad Haryana, Dhauj is roughly between 18 to 20 miles away from Delhi. The region is home to the Aravali Mountains that start in Delhi and pass through southern Haryana to the state of Rajasthan across the west, ending in Gujrat.

The Great Indian Trad Fest was long overdue and brought together by Ashwin Shah, who is the figurative sentinel guard of the Dhauj territory. In addition to being the guy with more gear than you’d ever expect one man to own, he is also often caught headhunting belayers, sometimes even climbers. His never-aging obsession with Dhauj is also very contagious. I’m grateful to start my own climbing journey with Ashwin. In my first attempts at belaying, my simple mistake caused him to drop on a 5-meter whipper. It could have been more.

Rajesh, on the left, getting ready to belay, Ashwin in the middle and Prerna on the right

That whipper, in hindsight, transmuted into a defining moment for me. The primal squeal Ashwin let out while falling made me realize the danger of this new passion I couldn’t help but fall for myself. That being said, had it not been for Ashwin’s impressionable optimism to entrust me with his life, Dhauj wouldn’t have held the same allure that it does for me now. Ashwin started contemplating the Gritfest after his return from Ramanagara Romp in Bangalore: a three-day event that gauged the possibility of climbs undertaken during a two-day window.

Read Next: Why the Aravalli Forest Range is the Most Degraded Zone in India

The idea behind the Gritfest is to celebrate a legacy built over the last four to five decades. A legacy that should be preserved for posterity as it has been thus far. “The objective is to think about the future,” said Mo, as he jogged his memory from back in the days. Furthermore, the fest also aims to encourage and educate aspiring climbers on traditional climbing: a form of climbing that requires climbers to place gear to protect against falls, and remove it when a pitch is complete.

Mo leading Aries at the Prow.

Sadly, the fest also takes place at a time when the government of Haryana seeks to amend an age-old act,  the Punjab Land Preservation Act, 1900 (PLPA), that would put thousands of acres of land in the Aravalli range under threat. India’s Supreme Court, however, has reigned in and we will likely know the outcome in the days to come.

The know-how around trad climbing rests with a handful of members in the community. This also makes the Gritfest ideal for supporting a trad-exploration pivot in the country. Dhauj, also home to the oldest fold mountains in India, has been scoped out with lines that go over 100 feet. The guidebook compiled by Mohit Oberoi documents some fine world-class routes since the early stages of climbing in and around Delhi. With grades ranging between 5.4 to 5.12a, Dhauj has more than 270 promising routes.

The fest kicked off with Mo leading the first pitch on Aries, a 5.6 rating, 60 feet high face at the prow, while the community followed. Seeing Mo repeat some of the climbs he’s been doing for over 30 years was exhilarating to say the least. Amongst the fellow climbers, we also had some professional athletes, including Sandeep Maity, Bharat Bhusan, and Prerna Dangi. The fest also saw participation from the founders of Suru Fest and BoulderBox.

Kira rappelling down from the top of Hysteria with a stengun, 5.10a.

“Trad climbing can be a humbling experience”

While the Gritfest finally came to fruition, I wondered as to why it took so long for it to happen. One of the questions that I particularly had in mind was regarding the popularity of places such as Badami and Hampi over Dhauj. Although the style of climbing varies across all regions, the scope and thrill of climbing in Dhauj remains underestimated. For one reason, I knew that there is a serious dearth of trad climbing skills which makes it partly inaccessible. Whereas the red sandstone crags bolted with possibly the best sports routes in India make the approach to Badami relatively easier.

I reached out to Mo, and asked him to share his perspective on the fest as well as some of the questions I had in mind.

1) Tell us a little about your thoughts on theGritfest?

It’s a great way for climbers to get together and climb, form new partnerships, share information and also solidify the ethic part of climbing, especially in Dhauj, which is purely a trad climbing area.

2) What is it that the current community can learn from Gritfest?

The possibility of climbing in Dhauj is huge and there exists such an amazing playground right on their doorstep, also Dhauj is an amazing place to learn “trad climbing”.

3) Since it was the first installment, where do you see it heading in the future?

I think it will grow to a large number of climbers congregating here as long as we KEEP IT SIMPLE, and climb as much as possible. We should keep the learning workshops “How to climb” type of courses out of this. This should be one event where we just climb at whatever level we feel comfortable with.

4) Why is it that Dhauj isn’t nearly as popular as Badami or Hampi?

I’m not sure why, really. It’s possible that the grades are not “bragging” grades and climbers don’t feel comfortable starting to lead or climb on “trad” at a lower range of grades. “Trad” climbing can be a humbling experience as one has to work up from the lower grades upwards. It is both a mental and physical challenge unlike climbing on bolts. Despite the guidebook, there is a reluctance to going out to Dhauj which surprises me, that Delhi / NCR locals would rather have travelled more times to Badami / Hampi than take a short ride to their local crag.

Perhaps it is about bragging rights. Perhaps it’s about the lack of skills. Whatever the reason might be, Dhauj will continue to inspire generations to come and fests like Gritfest will serve to strengthen our community. Whether you are new to climbing or have been at it for years, there is always something to learn.

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