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Adventure Travel

Mar 08, 2017

Female Adventure Photographers Risking Their Lives For the Shot – Part 1

In a field heavily dominated by men, it takes a few dedicated, badass women to push the limits and influence their industry.

WRITTEN BY

Laura Szanto

Here are tips from some of the most talented female action photographers thriving in adventure photography, giving us a look through their lens.

More adventure visuals in Part 2 with the wildly talented Jody MacDonald, Savannah Cummins and Robin O’neill here.

Adventure and action sports have drawn our attention for decades. Regardless of which specific adventure sports we are drawn to, we find meaning in the pursuit of psychological thrill despite its inherent risks. It allows us to explore new territories, test physical limits, and most importantly, to feel alive.

Elias Ambuhl in Cardrona, NZ. Photo by Camilla Rutherford

Passion, persistence and hard work are all imperative driving forces in an adventure photography career. Days in the field can be long and adverse circumstances such as terrible weather can make it especially exhausting. However, challenges aside, there are adventure photographers out there who know how to push the limits and deliver incredible work.

Female adventure photographers are a less dominant, but an equally inspiring and influential group of talented athletes, who risk their lives daily to produce captivating stories and compelling sports imagery.

To celebrate the lives of these extraordinary women and get a more personal look at how they do what they do, here are the first 3 of 6 interviews exploring their challenges, pro tips and types of essential gear needed in their exceptional adventure photography careers.

KrystleWright-This is Spanish paraglider Horacio Llorens sweeping over the streets of Medellín
Spanish paraglider Horacio Llorens over the streets of Medellín. Photo by Krystle Wright

Krystle Wright

KrystleWright headshot - CanonAustralian born extreme sports photographer Krystle Wright is known for her fearless and ambitious photography projects. From paragliding above the Karakoram Range in Pakistan to hanging outside of helicopters to capture base jumpers in Utah, Krystle doesn’t shy away from even the most precarious of opportunities. Krystle has earned a top spot as an adventure photographer and has had her photography showcased in variety of international magazines, publications and contests. Her extensive portfolio includes sports such as base jumping, rock climbing and paragliding, surfing, kayaking, mountain biking, skiing, mountaineering, slack-lining, freediving—and even elephant polo. Is there anything out there that she hasn’t photographed yet? Earning her title as a Cannon Masters ambassador, Krystle’s creativity is as limitless as it is bold. If you want some great insight into a day in the life of an extreme adventure photographer, take a look at her personal experiences and advice.

Photo by Krystle Wright
Emily Sukiennik highlining between a natural arch outside of Moab, UT. Photo by Krystle Wright

Challenges
There have been so many challenges in my career but to be relatable to the present, I’m currently struggling with balance. Being a freelance, there’s no set hours and I find it a huge challenge to balance between running my business, training, actually shooting and maintaining relationships with friends and family. It’s been a big learning curve in learning how to prioritise my time and use it well.

Krystle Wright injury photo Instagram

Tips
For any aspiring photographer I always tell them that you will need patience and persistence. This is not an easy career to break through but any career that is a passion will always take the extra mile of hard work. The other challenge of being a new photographer is that I think it’s essential to develop a thick skin because not everyone is going to love your work and it’s important to take on criticism in order to evolve and grow as a photographer. Finally, when it comes to adventure photography, this is a lifestyle, not a job.

Matt Fleischman leaping from Looking Glass Arch. Photo by Krystle Wright
Matt Fleischman leaping from Looking Glass Arch—taking off only 128ft. above the ground. Photo by Krystle Wright
Highlining Cape Pillar in Tasmania. Photo by Krystle Wright
Highlining Cape Pillar in Tasmania. Photo by Krystle Wright

Essential Gear
Well I rely on everything in my kit to work. I use Canon cameras and lenses, AquaTech underwater housing, Western Digital hard drives, Goal Zero for solar and battery charging equipment, KEEN to make rad shoes, F-Stop Gear for the most durable camera backpack I’ve ever owned and SanDisk for CF cards. There’s nothing in particular that stands out because depending on the job whether it’s in the ocean or on the mountain, I need to rely on everything I have.

Photo by Krystle Wright
Brett Wright carves a turn whilst kite surfing off the coast of Eagle Island on the Great Barrier Reef. Photo by Krystle Wright

Find more of Krystle’s limitless work on Instagram: @krystlejwright


Dawn Kish

Dawn KishThis Arizona based outdoor adventure photographer is unique in how she engages her audience with playful and humorous imagery. Her portfolio ranges from stories of people with odd jobs, to videos of a day in the life of her quirky photography adventures. Amusement aside, she also showcases award winning imagery of glacier crossings, wanderings in the desert, slacklining, ice climbing, rock climbing, white water rafting and mountain biking. She covers everything from action sports photography to archeology—but not without her own playful flare. Prepare to be inspired by Dawn’s incredible and creative portfolio and her experiences as a successful adventure photographer.

Tips
It helps to go light so you can go fast and work with the light you have. Pay close attention to the weather because you really can make or break a photo if you’re not observant. Also, make sure you know how to survive out there. It helps to take Wilderness First Responder courses or any backcountry course. If you can, I would scout locations as this is very beneficial. You need to have everything working in your favour out there in those wild places.

Being a photographer is hard work. If you have a good work ethic, you will go a long way. Also, you have to become a business person which is really difficult because all you want to do is take the photos and travel. Sorry gals, you’ve got to get a plan together.

Photo by Dawn Kish
Photo by Dawn Kish

Challenges
Outdoor photography is a challenge. Keeping things dry or dust free with many environmental changes are always a factor. Never change a lens in the wind. Batteries in cold weather suck so I put them in your pocket to keep them warm. Being on a river, well, waterproofing is always difficult. Freezing your knees off in the snow is not fun so i wear knee pads. You learn and suffer over the years to make things work better for you.’

Margeaux Bestard in the white-water, Colorado River, Grand Canyon, Arizona. Photo by Dawn Kish

Essential Gear
I have all types of cameras and lens but I mostly shoot with Nikon. But, a camera is a camera, it is your creative eye that makes you and not the gear. I use my iPhone a bunch and just had a portfolio published just from my phone. Gotta love that.

Photo by Dawn Kish
Photo by Dawn Kish

Extra Words of Wisdom
Photography should be fun and creative so make sure you have a blast out there. Have respect for your lovely models and make sure you pay them whether it is with beer or your beer money.

Have respect for the environment you are in and leave it better than you found it.

Dawn Kish slacklining sunset
Photo by Dawn Kish

Encourage each other. Photographers should help each other out and not become competitive. We should not take things so personally. Try to inspire and keep your chin up when things don’t seem fair. A positive attitude goes much further in life. Who cares what other have going on. Focus… hahaha… get it?

Dawn Kish backbend
Photo by Dawn Kish

Find more of Dawn’s beautifully quirky work on Instagram: @dawnkishphoto


Camilla Rutherford

CamillaRutherforddouble_profile

Camilla Rutherford is an adventure, commercial and travel photographer based in New Zealand. Her reputable photography in sports such as mounting biking, snowboarding, hiking, base jumping have earned her international publications and awards around the world. Aside from her successful editorial work, Camilla is also a passionate traveler. Her journeys to Nepal, China, Japan, India, Switzerland and New Zealand will surely inspire you to explore new perspectives and discover the unknown. Her talent will blow you away. With Camilla’s extensive amount of experience in the field, these are some of her invaluable suggestions.

Kelly McGarry-Central OtagoNZ-Camilla Rutherford
Kelly McGarry, Central Otago, NZ. Photo by Camilla Rutherford
Tips
Being out there! I always think to myself, even if I have no work or current projects on the boil, I’m not going to take any awesome photos sitting inside! So I try and get outside as much as possible, even if its raining, as you never know whats going to happen.
Also self belief. Its not easy, but nothing worth doing is! The way I see it is that
I didnt have a choice. It’s what I do, it’s in my blood, and I would never ever
have considered doing anything else. It’s my unconscious choice, and you have

to be in it a thousand percent to make it work. I’m still trying every day to make it work.

I don’t think you ever stop.

ConorMacFarlane-QueenstownNZ-Camilla Rutherford
Conor MacFarlane, Queenstown, NZ. Photo by Camilla Rutherford

Ski shot tips
Shooting skiing is very hard. There are so many elements to make a great ski shot. Experience, I think, is the best thing that’s going to make you ‘good’. Being at the right place, at the right time, and communicating with your athlete are only small portions of what it takes to get a great ski shot. Light, snow and luck come into it hugely. It is harder than anyone could imagine to get that perfect powder shot, and many times its just one turn on the right spot that gives you the gold.

Heli skiing BlackPeak, NZ. Photo by Camilla Rutherford
Heli skiing BlackPeak, NZ. Photo by Camilla Rutherford
Challenges
Being there. The physical aspect of being at the right place at the
right time is a challenge. Climbing that mountain, skiing those steeps, biking
those trails to be with your athlete, to get the shot—all while carrying camera

gear!

Janina_Kuzma_mountaineering - Franz Joseph Glacier, NZ-Camilla Rutherford
Janina Kuzma, ski mountaineering for North Face Shoot on Franz Joseph Glacier, NZ. Photo by Camilla Rutherford
Essential Gear

I shoot on Canon and I almost always use my Canon 24-70 f2 lens. It’s the most versatile lens when carrying gear and weight is a serious issue. Unfortunately for outdoor photographers who have to hike/ski/climb with gear a pack full of prime lenses is just not possible, unless you are iron woman! F-Stop Gear adventure camera packs and Peak Design clips and straps are also the way to go for anyone shooting outside.’

Find more of Camilla’s inspiring perspective’s on Instagram: @camillarutherford_photography


Part 2 being published soon with more wildly talented and limit pushing photographers.

Feature image by Krystle Wright

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Athletes & Explorers

Sep 06, 2018

Getting to the Bottom: What It Took for Priyanka Mangesh Mohite to Climb Everest

Summiting Everest is difficult. However, it’s not all about climbing the mountain itself, especially when you’re 21 and on a budget.

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WRITTEN BY

Jahnvi Pananchikal

“How did you do it? But you’re really young!” That was what Priyanka Mangesh Mohite began to hear, when she told people about her successful ascent of the planet’s highest mountain. Mohite climbed Everest when she was 21 years old. As remarkable as the feat itself may be, what is also remarkable is her backstory, and the small circle of people that supported her in a part of the world and in an ecosystem where climbing, especially big mountains, is about much more than about just getting up the peak.

“You feel a question mark [on yourself] when others doubt your abilities.”

When we spoke to Mohite, all we heard was laughter and gratitude while describing repeated trips to the mountains, and the people she respects. She continued to smile even when remembering difficult times of self-doubt and lack of financial support.

Mohite is a young and dedicated climber from Satara, Maharashtra, who got very lucky. She wanted to climb Everest, and had just been selected for a government-supported expedition to the world’s highest mountain. But she needed to raise additional funds to round up her share of the budget. Mohite spent six months visiting every corporate office in her town to pitch potential sponsors. She only had two previous mountaineering expeditions to show on her climbing résumé, which certainly wasn’t enough to help her case, despite her confidence. “You feel a question mark when others doubt your abilities,” she recalls. The experience of repeated rejection forced her to reconsider many times, and she came close to giving up the idea altogether. But she kept at it, and eventually, raised seven lakhs rupees (US$10,000) from several small companies and individuals. Then her parents stepped in to help, giving Mohite the remaining ten lakhs rupees (US$14,000) that she needed. [Ed’s note: Everest is most often climbed with commercial expeditions that charge between US$25,000 to US$50,000 per person].

Photo: Neema Thenduk Sherpa

Given her lack of experience, Mohite was not confident about making it to the expedition. She had completed basic and advanced mountaineering courses at one of India’s several mountaineering institutes, and regularly went rock climbing near her town. Despite the fact that today Everest is a commercially-guided peak, someone planning to climb Everest should ideally have been on at least one 8000m mountain, or several high-altitude peaks in a series of serious expeditions. Mohite had only done two serious climbs before, including one 6500m peak – just about the altitude of Camp 2 on Everest. She wasn’t quite experienced yet.

However, with a strong desire to succeed, Mohite found herself a supporter. Colonel Neeraj Rana, former principal of Himalayan Mountaineering Institute was running selections for an Everest expedition they were backing. During training sessions, he noticed how she kept going despite injured knees on a 30km hike. The next day, he took a chance on her, inviting her to join his Everest expedition.

In 2013, Priyanka Mangesh Mohite became the third youngest Indian to climb Everest.

With financial support from parents and a few individuals, and knowing that Colonel Rana trusted her abilities, Mohite embarked on her Everest expedition. In 2013, she became the third youngest Indian to climb Everest. Since then, she’s continued to knock ’em off –  including Lhotse, Elbrus and Kilimanjaro.

Photo: Priyanka Mangesh Mohite

She is not a big fan of groups; others slow her down, she says, and often the expertise of many trip leaders seems questionable. In 2015, after climbing Everest, she went to Menthosa, the second-highest peak in Himachal Pradesh, India. The trip was led by climbers who took a group of 15 people to an advanced camp without checking for incoming weather conditions. The group turned around before the summit due to a huge avalanche, and returned to base camp the next day. Bizarrely, they blamed their lack of success on Mohite, telling her she’d been too slow, with insinuations about her weight.

“It’s hard to go in groups. You should know them; they should be your friends. Plus, you need to feel comfortable following the leader.”

Mohite prefers and respects the disciplined approach and rigorous training methodology of Colonel Rana. They regularly go on expeditions together, along with a couple of Sherpas.  “It’s hard to go in groups. You should know them; they should be your friends. Plus, you need to feel comfortable following the leader. I have that rapport with Colonel Rana,” she says.

Photo: Pemba Sherpa

Mohite feels a certain sense of pride. Her financial troubles are behind her after Everest. Since then, she’s had no more trouble raising sponsors. She met Shriniwas Patil, the former Governor of the Indian state of Sikkim, at an event after her big climb. Patil gave her his personal phone number, telling her to contact him in case she needed help. For her next expedition, she gave him a call, and Patil found sponsors to fund her entire expedition within ten days. This is yet another example that summitting the world’s highest peak despite adequate experience, is often an Indian climber’s escape from financial difficulties, in a country that lacks a healthy ecosystem for outdoor sports.

“I’ve heard Lhotse is very difficult and I really want to climb it.”

When Mohite returned to Everest Base Camp after summiting, she had a chance to speak with her family. Her mother was worried and crying, and her father put her on the speakerphone for everyone to hear. He told his daughter, “I’ll give you anything you want when you come home.” Mohite replied, “I’ve heard Lhotse is very difficult and I really want to climb it. Will you please let me go?” Her entire family burst into laughter. Her mother insisted that she returned home before heading off again on expedition. Mohite simply smiled, dreaming of climbing her next big mountain.

 

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