logo

What’s the use of a fine house if you haven’t got a tolerable planet to put it on?

- Henry David Thoreau


image

Video

Dec 06, 2018

Film Review: Ode to Muir. A Snowboarding Movie, and an Important Covert Education

Lost in amazing scenery, and one of outdoor's great personalities. Prepare to learn, even if you won’t realize it’s happening.

WRITTEN BY

Sean Verity

Before we get to the movie itself, don’t be put off by the narration that you’ll hear in the trailer. It’s a tone that you might expect from the X-Factor announcer, or any movie trailer that starts off with, “In a world…” and it’s important to give you an incentive to push on, in case you might need it.

To answer the question that I suspect you have… yes, the same narration continues throughout the film. I know, it doesn’t seem like a good thing, but I have my own personal relationship to that voice. Something that develops as the film continues, and you recognize its purpose.

WHAT WERE WE EXPECTING FROM “ODE TO MUIR”?

The film is called “Ode to Muir”, so an education about John Muir and the John Muir Wilderness? Probably. Great scenery? Sure. Another awesome Jeremy Jones snowboarding video? Very likely! I was correct on 2 of 3 fronts.

“Price of admission: lots of calories”

In short, this is a nine day, 40 mile foot-powered trek through the Sierra Mountains, as two-time Olympian Elena Hight, and a guy introduced as the “Sierra Phantom” accompany Jeremy Jones deep into California’s John Muir Wilderness. The remoteness is exactly that, and it is earned. Jeremy takes joy in mentioning the “Price of admission: lots of calories”. His point is a good one, that this is something that we can all enjoy. Crest after crest, the views are stunning and beautifully shot (as you might expect from a Teton Gravity movie). Jeremy indulges himself in pointing across valleys, and announcing that they must make their way in that direction. By his own admission, he has spent a lifetime in the Sierra, and continues to see landscapes the first time. The outdoors is a big place. 

Of course, Jeremy Jones does not need any introduction. His snowboarding movies have adorned bookshelves around the world for decades now. This, however, was something different. It was something more important. There is less of an emphasis on the music, or even snowboarding (don’t expect death-defying descents here). Instead, you will find more of an emphasis on Jeremy, the landscape, and more than anything else, Jeremy’s message. This is propaganda, just the positive kind.

Ode to Muir is a little like trying to subtly slip the bad news into an everyday sentence using snowboarding to distract us. “Honey, have we got milk at home, I crashed the car, because my parents are coming around this evening”.

Note: Whilst this is not your typical snowboarding movie, I could still hear the customary Jeremy Jones’ oooohs and ahhhhs from those sat around me.

THE MESSAGE

Time is spent on recalling a bygone era, when politicians spent time in the outdoors, they appreciated them and fought for them. They sat around fires, and really experienced the outdoors, they didn’t just swing clubs at The Mar-a-Lago Club. This movie is a call to action, that we must do something now, but gives us hope, that things can be done correctly, with the attitude that we have seen in presidents past. 

The movie is interwoven with animations that paint an important, and scary picture with regards to the future of our climate and planet. Key messaging that continually remind you that this is not just a snowboarding movie. This is an education, but not algebra, the information is presented well, it sinks in and you immediately recognize the importance. You’re going to bring this up and discuss these newfound stats when you’re next hanging out with friends.

Whilst the animations play an informative role, Jeremy contextualizes them. He refers to the terrifying term “last descents”, the chilling concept that people are now doing things that might not be possible in subsequent years due to climate change. As someone who lives in the outdoors, Jeremy can see these detrimental changes in his everyday life, and of course, it means a great deal to him. He isn’t just using what he is, but who he is to pass on this important information. Not stood behind a podium, but communicating important information to us whilst he uses his skills, and the beautiful shots to hold our attention. Jeremy obviously loves what he does, but he now chooses to do what he has done for so long, in such a way that communicates an important message. It’s commendable. What’s more, this isn’t a one-off, Jeremy is the founder of “POW”, or “Protect Our Winters”, an initiative with a mission to turn passionate outdoor people into effective climate advocates.

Find out more about POW: Protect Our Winters.

Still, an important point is made, real change can unfortunately only be sparked in the wilderness. Walking up the mountain isn’t enough, we need to walk up to the White House, and up Capitol Hill too.

THE PERSONALITIES

“The older I get, the more I love my snow”

A great element of this movie is easy to miss, Olympian Elena Hight trying to understate her own abilities. Elena is, of course, a very accomplished snowboarder, she’s more than comfortable on the snow and her modesty with regards to split skiing wasn’t fooling anybody. It’s an attitude that is great to see, but will make your average Joe, with your average abilities (like me), smile. Her reservations regarding her own ability are not shared by anybody else. Nor were there any problems for Elena when it came to the descents. She’s awesome, and a great addition to the film.

Jeremy introduces the “Sierra Phantom” pretty quickly. In effect he’s presented in a way that you would describe what Mogli is to the jungle, “ he’s out there all day and you just see his tracks”. A brief appearance, but worthwhile. 

Elsewhere, there are laughs from those who are sat around me watching the movie, as Jeremy reaches the crest of ridge and summits alike. You might expect “f*ck, that was hard” or “Jesus, I need some air” but no, invariably you will only hear “Good job”, another “Good job”, or “The older I get, the more I love my snow”. As impressive as Jeremy’s attitude is, and of course, it’s due to his familiarity with something that he has done for so long, it is also the relaxed nature of those that that summit with him. You won’t hear them telling JJ to “shut up and pass me the water”, it’s all fist bumps!

The movie ends with JJ suggesting a moonlight ride, to “get the last bit out of it”; spare a thought for those that might have fancied an early night. You would really have felt for the production team, had it not been for the stunning shots caught under moonlight. As someone who can relate to these guys, they live for such shots, and wouldn’t have required much encouragement. Not that their skill shouldn’t be acknowledged, something special is happening behind the camera. Many of the shots are powerfully engaging, whilst the audio is picked up perfectly, regardless of powder being thrown around.

BACK TO THE NARRATION

Here’s the thing about the narration. What would the movie be without it? Whilst Jeremy brings credibility as someone who is acutely aware of “last descents”, John Muir’s words hold unparalleled sincerity that can only belong to a different time – a time when people were less cynical, and in this context, given that this is propaganda, a perspective from that time counts for something.

I had a relationship with that voice. So much so, that I almost felt apologetic by the end. In a way, the voice is synonymous with the film, you need to absorb the delivery in order to absorb the information. It was just harder to do so in comparison to appreciating fresh pow.

Who would I recommend the film to? People who like ski docs? People who care about the environment? Just general outdoorsy people? It’s of interest to each, they all cross-pollinate in a way that was definitely intended.

This is an important film to watch, it’s incredibly digestible, and it will raise awareness of important issues. It’s the kind of content that we need more of.

You can find more information, and a calendar of tour dates should you like to go and watch the movie for yourself here. We encourage you to do so.

Continue Reading

image

Reviews

Oct 31, 2018

Free Solo: This Portrait of Alex Honnold, is so Much More Than Just a Climbing Film

How do you offer a balanced film review, when it's one of the best documentary's that you have ever seen?

image

WRITTEN BY

Brooke Hess

Directors Elizabeth Chai Vasarhelyi and Jimmy Chin worked with National Geographic to produce hands-down, the best climbing movie that I have seen.

But, to be honest, this is not really a climbing film. Ok, well, it is a climbing film… but there is so much more to it than that.

Photo: National Geographic

The film’s plot is centered around a single climb that Alex Honnold is preparing for. El Capitan’s 3,000 vertical-foot rock face in Yosemite, California. Solo. No rope. No safety net. Simply him and the rock.

To put this into perspective, for anyone who isn’t a die-hard rock climber, and can’t relate to this feat… imagine climbing a ladder twice the size of the Empire State Building. But instead of the ladder having nice, big rungs to hold onto, it has pebbles jutting out one centimeter (or less) that you are expected to rest your feet and hands on. Oh, and making a mistake, falling, is simply not an option.

The whole film leads up to the suspense of this one climb. Will Alex be successful? Will he complete the climb and become the first person to ever free solo the famous El Capitan? Or will he make a mistake and plummet to his death?

Spoiler alert! Alex is still alive today. We all knew that the worst wasn’t going to happen. However, despite knowing that Alex is still alive today. Despite being aware that he had already completed the climb, my palms were so sweaty, I could barely grip the pencil that I was using to jot notes down for this review.

Even the seemingly very masculine man sitting next to me in the theater was falling into his seat with anticipation. He kept sinking further and further, at first I thought he was falling asleep, but when I looked next to me to check, he was gripping the armrest so hard his knuckles were turning white.

Read about Alex Honnold’s Free Solo climb up El Capitan here.

Rock climber Alex Honnold completes a 3,000-foot rope-free climb of El Capitan in Yosemite National Park on June 3, 2017. The historic event was documented for an upcoming National Geographic feature film and magazine story. Photo credit: Jimmy Chin/ National Geographic

So, how did Jimmy Chin and Elizabeth Chai Vasarhelyi do it? How is it possible that even though I already knew the outcome of the plot, I was still so torn with suspense and anticipation that I experienced physical symptoms (sweaty palms, racing heartbeat) of anxiety?

The videography was superb. Every shot, every angle, every pan was thoroughly well thought-out. The crew was comprised of professional climbers with rope access skills beyond that which I am able to comprehend. Each camera on the wall was there because someone either climbed up the rock face to place it there, or rappelled down from the summit so they could dangle on a rope 3,000 feet in the air, for hours on end, in order to get the shot.

Even the soundtrack contributed to the suspense. Similar to any Hollywood-style movie, epic music would ring loud when a feat had been accomplished. When the story became tense, so would the music.

The production aside, the most exhilarating aspect of the film was the character development. It was a glimpse into the mind of a seemingly super-human individual. A mind that us mere mortals can only ponder about, but never empathize with or relate to. Alex’s emotional capacity is similar to that of his father, who as it turns out, had a mild case of Asperger’s Syndrome, a syndrome which tends to run in families. The film was a view into the relationship between Alex, this robot-like individual, and his girlfriend, Sanni McCandless, who is a seemingly strong-minded woman with a normal capacity for emotion. Their relationship dynamic is what separates this film from every other climbing movie out there.

With Alex’s inability to empathize with Sanni’s feelings, and Sanni’s attempts to understand Alex’s mind, the question comes up of how a relationship like this could work? But they make it work… and this is one of the most beautiful plot lines I have seen in an adventure film.

If I say much more I will risk giving away the entire film. So I will stop and just say that If you are a die-hard rock climber, you should go to see this film.
If you have only rock climbed once in your life, you should go to see this film.
If you have seen a rock climbing gym and considered going in, but not done so, you should go to see this film.
If you have never even considered going rock climbing, and probably never will, you should still go to see this film.

Find a theatre near you that is showing Free Solo, on the National Geographic website.

loadContinue readingLess Reading

Recent Articles



Not Your Father’s Ski Trip: Jackson Hole, WY

Inspired by images of her dad’s Jackson Hole college ski trip, the author heads north to tour the Tetons and tack a few pictures to the family scrapbook.

Climbing for a Cause: Returning to Kilimanjaro for Elephant Conservation

Sarah Kingdom returns to Kilimanjaro, not for the first time, but now with a team that are fighting for Elephants in Africa, that are under serious threat.

The Outdoor Journal’s Biggest Stories of 2018.

From harassment within the climbing industry to deaths and environmental degradation in India. Furthering conversation on deep-rooted problems within the wider outdoor community, to Outdoor Moms, and explaining an unexplained tragedy.

Privacy Preference Center

Necessary

Advertising

Analytics

Other